The Fly by Katherine Mansfield
The Fly by Katherine Mansfield
Humiliation and enslavement for the sadist are simply the means to an end. However, suffering is the sadist’s trademark as there is no greater power over another than that of inflicting pain and forcing them to suffer without the benefit of self-defence. In fact, the pure pleasure in the complete domination over another is the very essence of the sadistic drive. In her short, compelling story “The Fly,” Mansfield details how a commonplace incident of fly killing defines the sadistic, arrogant, and shallow nature of a powerful businessman. The nameless boss’s cruel disrespect for this simple but valid life form parallels his disrespect for the greater community of man. To further highlight his character deficits, Mansfield contrasts the egocentric, ambitious boss to others who have formed close interpersonal relationships in their community. Moreover, the boss’s affluent lifestyle can never offset his absence of emotion. The fly also personifies the boss’s inability to genuinely grieve the death of his son and reconcile the loss of a family member at a deeply personal level. The tragicomic aspect of the incident with the fly emphasizes the boss’s internal drama rather than plot. Therefore, the killing of a fly in this story, however banal, mirrors the way this sadistic, cruel, God-like boss treats others, and also illustrates the extent of his emotional disconnection to his surrounding world.
As a successful businessman, the boss thoroughly relishes his status and the power he wields over others. He flaunts his prosperity and takes particular pleasure in impressing “that frail, old figure in the muffler”(73), Mr. Woodfield, who counts his pennies and even comments on the “price of jam.” (74). However, upon closer scrutiny, the goal-oriented life of the aggressive business magnate compares poorly to the people-oriented one of the passive stroke victim, Mr. Woodfield. The senile retiree is cared for by a loving family who pamper and keep him “boxed up in the house every day of the week except Tuesday” when he is “dressed and brushed and allowed to cut back to the City” to visit “his friend,” (73) the boss. Conversely, the boss does not consider Mr. Woodfield a friend at all; he just likes to assert his authority and “to have it [his room] admired.” (73). Although he offers the old man a drink of a fine whiskey from the “cellars of Windsor Castle”, the boss only does so to position himself above the Woodfield women’s regulations who don’t permit him to “touch it [whiskey] at home” (74). Although both men’s sons died in World War I, they respond differently to their respective losses. The senile albeit emotionally intact Mr. Woodfield has fully accepted the death of his son, Reggie, and speaks of his loss without reservation. He takes quiet comfort knowing that his son is buried in a “beautifully looked...
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