Candide Purposeful Satire

Candide-Purposeful Satire

Candide - Voltaire's Writing Style


In Candide, Voltaire uses many writing techniques which can also

be found in the works of Cervantes, Alighieri, Rabelais and Moliere.

The use of the various styles and conventions shows that, despite the

passage of centuries and the language differences, certain writing

techniques will always be effective.


One common literary technique is the author's use of one or more

of his characters as his 'voice' to speak out the authors views on a

certain subject. For instance, in Moliere's Tartuffe, the author uses

the character of Cleante to speak out against religious hypocrites

(page 1419, lines 99-102):


Nothing that I more cherish and admire

Than honest zeal and true religious fire.

So there is nothing that I find more base

Than specious piety's dishonest face.


In Candide, Voltaire makes use of several characters to voice his

opinion mocking philosophical optimism. On page 1594, Candide is

asking a gentleman about whether everything is for the best in the

physical world as well as the moral universe. The man replies:


...I believe nothing of the sort. I find that everything goes wrong in

our world; that nobody knows his place in society or his

duty, what he's doing or what he ought to be doing, and that outside

of mealtimes...the rest of the day is spent in useless

quarrels...-it's one unending warfare.


By having this character take on such a pessimistic tone, he

directly contradicts the obviously over-optimistic tone of Candide.

In the conclusion (page 1617) an old turk instructs Candide in the

futility of needless philosophizing by saying that "...the work

keeps us from three great evils, boredom, vice, and poverty." In each

of these examples, the character chosen by the author comes across as

a reasonable and respectable person, making the author's point of view

seem just as reasonable and respectable.


Another technique Voltaire uses in Candide is that of taking

actual people and events and weaving into his work of fiction. He

often does this to mock or ridicule his political and literary

adversaries, as shown in the conversation between the abbe' and the

Parisian supper guests (page 1593). The abbe' mentions two critics who

in Voltaires time have criticized his work. The critics are referred

to as boring and impudent by the supper guests. In much the same

manner Alighieri, in The Divine Comedy, has placed many of his enemies

in various circles of Hell. In one instance (page 797), Dante himself

pushes one of his political enemies back down into the swampy waters

of the river Styx. In Gargantua and Pantagruel, Rabelais mentions a

series of text books which are a part of the sort of educational...

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