A dolls house 3
A dolls house 3"A Doll's House" introduced woman as having her own purposes and goals. The heroine, Nora Helmer, progresses during the course of the play eventually to realize that she must discontinue the role of a doll and seek out her individuality.
In Act I, there are many clues that hint at the kind of marriage Nora and Torvald have. It seems that Nora is a doll controlled by Torvald. She relies on him for everything, from movements to thoughts, much like a puppet who is dependent on its puppet master for all of its actions. The most obvious example of Torvald's physical control over Nora is his reteaching her the tarantella. Nora pretends that she needs Torvald to teach her every move in order to relearn the dance. The reader knows this is an act, and it shows her submissiveness to Torvald. After he teaches her the dance, he proclaims "When I saw you turn and sway in the tarantella-my blood was pounding till I couldn't stand it", showing how he is more interested in Nora physically than emotionally. When Nora responds by saying, "Go away, Torvald! Leave me alone. I don't want all this", Torvald asks, "Aren't I your husband?" By saying this, he is implying that one of Nora's duties, as his wife is to physically pleasure him at his command.
Torvald also does not trust Nora with money, which exemplifies Torvald's treating Nora as a child. Sometimes, Torvald gives Nora some money; he is concerned that she will waste it on candy and pastry. Nora's duties are restricted to caring for the children, doing housework, and working on her needlepoint. A problem with her responsibilities is that her most important obligation is to please Torvald, making her role similar to that of a slave.
The problem in A Doll's House lies not only with Torvald, but also with all the other characters. Females were confined in every way imaginable. When Torvald does not immediately offer to help Nora after Krogstad...
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